Wicker House Recording
Wicker House is a creative space open to bands, songwriters, and musicians needing instruments tracked, songs mixed, or a place to record a polished demo.
Mixing, mastering, and in-house instrument tracking can be done remotely. For in-person tracking and recording, please contact me. Wicker House currently operates in a private residence, the address of which will be shared upon inquiry.
Email: stuartwicke@gmail.com
DM via Instagram @stuartwicke
Curriculum Vitae
Stuart Wicke Band — You’ll Be Fine (2026)
Genre: power pop, indie rock
Writing credits: songwriter, composer, arranger
Tech credits: recording engineer, mixing and mastering engineer
Performance credits: voice, guitar, bass, organ, synthesizer, drums
For a more exhaustive list of credits for this particular artist, try this link.
Mathew Mozzoni — Hot Light (2023)
Genre: jazz fusion, funk
Writing credits: co-producer
Tech credits: recording engineer for electric guitars (track 4)
Performance credits: bass (tracks 1, 3, 5, 7)
Mathew Mozzoni — West of Greatness (film debut 2025, album TBA)
Genre: soundtrack, chamber rock
Writing credits: arranger (“Ride of the Valkyries”), arranging consultant (strings)
Tech credits: recording engineer for bass guitar
Performance credits: bass
Break!! — Summer Sampler Demo (2024)
Genre: punk
Tech credits: recording engineer, mixing and mastering engineer (full EP)
Poor Simple People — The King Shall Come (2023)
Genre: progressive rock, folk rock
Writing credits: arranger
Tech credits: recording engineer, mixing engineer (full record)
Performance credits: lead voice (tracks 2, 5, 8, 11), backing voice (tracks 1, 3, 6, 7, 9, 12); guitar, electric and double basses, organ, electric piano, drums, melodica, recorder (all tracks)
New Gunk — Arrival (2026)
Genre: funk, psychedelic
Writing credits: co-composer (“Runaway Feeling”)
Federal Agent — Federal Agent (2021)
Genre: jazz fusion, art rock
Performance credits: bass (tracks 1, 2, 3, 5, 6, 10, 11, 12, 14, 15)
Phourist and the Photons — While We Still Have the Morning (2017)
Genre: art rock, progressive rock
Writing credits: co-composer
Performance credits: bass (full album), backing voice (tracks 3 & 10)
Phourist and the Photons — In Infinite Indigo (2015)
Genre: art rock, progressive rock
Performance credits: bass (tracks 2–8)
About me
I’ve been living and breathing music since I was able to live and breathe. I started writing songs at 12 years old; I started playing bass in punk bands at 13 and took up guitar at 14; I’ve sung in choirs since I was 18; I studied jazz in college and earned a degree playing double bass; I learned piano and organ when I started playing in church at 23; and I’ve played drums on all of my own records since 2019. I started producing music in my mom’s living room using Audacity in 2008, and soon after upgraded to Cubase (but stayed in the living room for far too long). Nearly 20 years later I’m thrilled to finally have a space to which I can invite other musicians to create together.
My favorite part of songwriting is the building phase: taking the blueprint of a song and elevating it through arranging and production. Sometimes that means adding a synth here, or a guitar solo there, or doubling vocal tracks, or changing chords to reflect the mood, and sometimes it means stripping tracks away until the song can breathe and speak more clearly. My aim is to use all of the skills I’ve accumulated through the years to bring your songs to that next level, whether it needs a higher recording quality, a tighter arrangement, a more polished mix, or even all three.